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By Entertainment Editor Ahmed Sirour
THE [right] FORMULA (06.24.04)
I never thought it wasn't possible, I just
never bothered to think about it. But, as it happens, time
flies by pretty quickly, and what was just an experiement back in
June of 2003 when I asked the
owners of Tarrazu to give me an opportunity to
bring something different to their limited live music rotation, at
the time, and unintentionally to Atlanta. Saturday was an open day
that wasn't very busy at all except the odd special event here and
there. I can't front but must admit that I felt that what live music
already existed didn't quite move me and I felt that it was time for me
to take another leap of faith and embark on a musical concept not
quite heard of in public establishments already riddled with bands
doing lounge-type performances, cover tunes, or "jam"
sessions that were more forced than improvisational.
Enter The Formula. I guarantee you
that out of every performance we have done, know that we have only
had ONE rehearsal ever! I initially wanted to showcase an
up-and-coming vocalist each week, and did so the first few months.
It went pretty well but I was hung up on the concept initially
because I felt people would be bored just listening to a bunch of
guys playing instruments with no lead...especially when it's only a
trio. We've since proved the audience, and myself, wrong.
Little by little people started coming out on
a consistent basis and began to realize that what they were hearing
was ground-breaking--we didn't just play, we created at will!
We were making live music on the spot, unrehearsed, just on the
basis of how it felt and sounded and not where the stops and changes
should be...we just had to wing those when the moment came. In
the process, I started to compose original compositions to test and
challenge us and to experiment to see how far we could take a song.
Even when we did a cover song, we tried to see how far we could
twist it up but still keep it intact. How many of you have
seen a band play, "People Make the World Go 'Round", for
instance, and hear it in Funk, then Jazz, then Hip-Hop, then Latin,
then Reggae, then back to Funk all in one take? How many bands do
you see that have the keyboardist call out to the drummer to
make up a beat on the spot, then ask the bass player to add
something to that, then have the keyboardist figure out chords to go
with them and make a whole new song right before your eyes, or even
throwing in a vocalist who makes up a song with the band and if they
told no one, the audience wouldn't have known this was never
rehearsed? How many times do you go to a place never knowing
who will drop in and make a trio into a sextet with a full horn
section...and it's all spontaneous? What about guest
appearances by top musicians like India.Arie's
bass player, or the Black Eyed Peas drummer,
or Alicia Keys' keyboardist, or Angie
Stone's saxophone player, or some of Atlanta's best
vocalists like Phillippia, or Cleveland,
or Marc Nelson, Maya Neida or many
others, even artists who are visiting from out-of-town while on
tour, who drop by and perform with the band just for the love
of it and give a free show to the audience?
We have been blessed to have been a part of an
underground movement right in the heart of Midtown where sometimes
superficiality substitutes substance (alliteration at its best,
huh). We have also been fortunate to provide our unique sound
to events for Rolling Out, Martell,
Absolut, the NFL, Sol
Fusion, S.T.E.P.S. Events, the Superfriends,
Hidden Beach Recordings, Roc-A-Fella
Records, and many more, as well as performing with
recording artists like Mike Phillips, Dwele,
or Allen Anthony as a unit, or as individuals with
artists like Julie Dexter, Russell Gunn,
Rachelle Ferrell, Scar, Kim
Burrell, Lizz Wright, and many others.
This is not to necessarily impress you but to just to serve as
validation of our skills that we bring as musicians dedicated not
just to bring quality music to you, but to commit ourselves to
stretch and take our gifts as far as we can and play from the soul
and not necessarily by the book.
I want to take the time to recognize my core
and honorary members/guest musicians of The Formula, besides
myself who plays keyboards:
Andre' Bowman .........Bass
guitar
Che' Marshall .............Drums
Kyle Williams .............Lead
guitar and vocals
John Eley ..................Lead
guitar
Reggie Starling .........
Bass guitar
Myron Carroll ............Bass guitar
Donna Hairston .........Bass
guitar
Tres Gilbert ...............Bass
guitar and vocals
Khari Simmons ..........Bass
guitar
Jerome Brown ..........Drums
and vocals
King .........................Percussion
Manny Martinez ........Percussion
Chris Coleman ...........Drums
and Bass guitar
Dee ..........................Drums
and Bass guitar
Pete Alexander .........Drums
Mike Phillips ..............Drums
(a different one)
Keith Harris ...............Drums
Marc Nelson ..............Keys
and vocals
Eric Sinclair ...............Keys
Richard Johnson .......Keys
Reggie Carter ...........Keys
Reggie Hines ............Alto
Saxophone
Mike Burton ..............Alto
Saxophone
Ron James ...............Alto
Saxophone
Tony Bailey ..............Trumpet
and Flugelhorn
I also want to say thank you to all those
who have been supporting us by telling your friends about us,
referring us for future bookings, and especially those who help us
raise "gas money" every week...you get a free show but
donations are very appreciated!
I would like to extend an invitation
to everyone who gets this and is able to come through to join us
this Saturday, June 26th (9pm-12am), at Tarrazu
Coffeebar as The Formula celebrates our One
Year Anniversary as a band! Consistency is key!
Okay, so let's
get back to what's happening this week: www.atlantahapps.com/upcoming_events.htm
Also happening this week/weekend that
I approve of:
06.24.04
06.25.04
06.26.04
06.27.04
In other news...
I highly recommend you all go see
Dodgeball: A True Underdog Story! All I have to say is
that Ben Stiller is STUPID and I love him for that!
For those who just came out from under a rock check out: www.dodgeballmovie.com
Also just opening is White Chicks which
I plan to see after writing this starring Marlon and Shawn
Wayans...if it's as good or better than the trailer, I'm
down! www.sonypictures.com/movies/whitechicks/site/
I've got the full tourdates
for the Jill Scott "Buzz Tour" for her
new album, Beautifully Human: Words and Sounds Vol. II
(08/31/04) www.hiddenbeach.com/press/06-22-04.htm
In closing...
It's time to just "put up or shut
up"...
peace2ya!
peace2ya!
The views in this article are not necessarily the expressed views of ATLANTAHAPPS.COM or it's affiliates.
SESSIONS SATURDAYS at Tarrazu Coffeebar
Featuring a three-piece (keys/drums/bass) neo-jazz band, THE FORMULA
Ahmed Sirour writes a weekly journal for ATLANTAHAPPS.COM Ahmed Sirour is a Georgia Regional Representative for Hidden Beach Recordings -- Archive
Ahmed's goal, this year, to finally publish his first collection of work entitled, "This Would Be A Love Song...If Only I Could Sing"; a collection of poetry, essays, and short stories based on his life's experiences in the area of love and life. Ahmed is also a musician (keyboardist) and plays for and with many talented artists in Atlanta (and those who travel through the city from abroad). He currently represents for Hidden Beach Recordings (www.hiddenbeach.com), so he keeps one foot in the business and one foot (and two hands) in the art, itself. It is his hope and prayer that beyond enjoying his work, that people are actually moved, emotionally/intellectually/spiritually, by the words they read, and to know that this is merely a power that is coming through him and not from him.
Imagine for a moment if Marvin were still alive and able to record with the Roots... Or what about Pete Rock breaking-off a track for Minnie Ripperton or Donnie Hathaway. What kind of energy would these collaborations create??? The answer is found in a new Soul Music Series entitled SOULFUL HAPPS, and it's unlike anything you've ever heard. This section features artists who produce the sounds of 70's Soul, Acid Jazz, Hip Hop, and Rare Grooves appreciated by music lovers around the Atlanta area. But it's more than a sound... It's a feeling... bringing the past and the future together in a rather unique way. Click here for details
WHAT THEY ARE SAYIN...
Mr.Sirour, I live in LA and was
recently in your wonderful city and love reading you're column, Very
nice. Miles... Mr.Sirour, I would like to begin by saying I enjoy your weekly "HAPPS" commentary. I look forward to it every Monday evening when I have down time at work. I appreciate you keeping us 'Atliens' abreast of the goings of Atlanta and upcoming music artists. Please keep doing what you are doing!
Mr.Sirour, Now, I would like to comment briefly on your commentary for this week. Kudos to you for being honest and candid! How refreshing to hear such positive and thought provoking thoughts. I agree with you in so many ways. Just as a smile can be contagious, so can positivity. P.S-- I saw the plug on your site for the Tarrazu Coffee Bar. It sounds like a great place. I will be trying it out this week. Thank You, Brettina Burney
I feel you
100% when you stated you feel a shift in the wind of this industry. I
have been told by enough shallow producers to change my singing style
to sound like this one or that. I was fed up of hearing this
over and over so I took out my keyboards and produced myself. I am
looking for people with a true vision of taking real music into the
future to either assist me in promotions and possibly management. If
you get a minute check me out at
www.zuudiakusentertainment.com . Keep doing what you do, I will
too.
Peace
Jas
Tunica El
KATHLEEN BERTRAND
Visit the Website http://www.kathleenbertrand.com Subscriber Kathleen Bertrand, her riveting performances combine contemporary R&B grooves with jazz riffs that keep audiences wanting for more... No Regrets sets an elegant new standard for contemporary soul, and Kathleen Bertrand brings an inspiring new voice to the world of music. Look for future features on this dynamic singer in future ATLANTAHAPPS listings.
Ahmed -- Recently I read your column for "ATLANTAHAPPS.COM" As I was
reading, I kept trying to listen to this very haunting melody that was
playing in the background...and then finally I had to stop reading and
just listen. You generously praise so many artists in your
column, but your gifts are special too. I look forward to
hearing more from you. "Without You" is just beautiful -
I could listen to it all day.
I also am a singer/songwriter here in Atlanta. Last year, I released
my "No Regrets" CD. Your words about a change in the
music industry are so true and great encouragement. Thank you
and keep spreading the truth. God bless you!
Kathleen Bertrand
Ahmed writes the way a jazz musician plays during an improvisational jam session paired with the way a lyricist freestyles in hip-hop form. It is a marriage of the past and present that creates a fusion to set the tempo for the future. His writing surpasses his racial makeup and simply becomes a unique American story by a unique American writer.
www.authorsden.com/ahmedasirour
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