Entertainment

       By Entertainment Editor Ahmed Sirour

            Music performed by: Ahmed and the Formula live at Tarrazu Coffee Bar


 

 What's Happening

W

COMING HOME (10.28.04)
 

A few days ago I was walking through my old stomping grounds on the campus of Clark Atlanta University. I swear, every corner I turned onto, I remembered a plethora of things that happened during my time in the Atlanta University Center. A few things have changed whereas this gigantic parking deck has been erected where once there was just a plain parking lot, between Morehouse and Spelman's campus. Then there's the new Carl & Mary Ware Academic Center where there was once just a few trailers, which I think were for the scholarship offices. Of course, they would build a Publix, a Blockbuster, and whatever else off of MLK Dr. after I leave when most of us had to trek to the old Cub Foods that was at the West End Mall/Hall, and then later having to make the journey to Kroger's on Cascade. Stegall's, that day, seemed to be out of food (or out of pigeons to make those "chicken wings" they served), but it was good to see Pop's still alive and kickin' and chillin' in his favorite chair watching the students go by on their way to and from class or from Woodruff Library (infamously dubbed "Club Woody"...although I got some good sleep there). The relevancy of the Historically Black Colleges and Universities has never changed or deteriorated.  

The power and history behind some of the greatest people of color to walk the face of the earth in modern and post-modern times is held within that space of land called the AUC. While an undergrad, I took it upon myself to explore the layout and become familiar not only with my campus, but to get acquainted with Morris Brown's, and Spelman's, and More house's, and ITC's so that I could get a feel for my academic neighbors and maybe make a new friend here or there. I went up to the Archives & Special Collections department, 3rd floor, in Woodruff (the "vacuum room" to me since no one went there and it was spookily quiet). Before they began controlling the amount of direct access one could have with the material in there, I was actually able to hold in my bare hands, the original works and documents of some of the most renowned African-American personages of generations before ours...even before my grandfather. From the Countee Cullen collection, I held an original Langston Hughes poem in my hand entitled, "A Dream Variation"...I mean, handwritten in pencil, by the author himself, dated in April of 1926--I was almost scared that I'd breathe on it wrong or accidentally do something to it but it was powerful to read something I had only seen in a textbook and know that this was the actual source. Or when I held in my hand the actual typewritten letter that Alex Haley wrote to his publisher at Reader's Digest to request the permission to do an autobiography on a prominent Black leader during that time named Malcolm X.

I read the first draft of a 20+ page, typed document by W.E.B. DuBois that would go to the United Nations to make a human rights case concerning the crimes against and many lynchings of sharecroppers and other African-Americans suffering under the injustices of racial oppression. I even read a newspaper, as best I could without damaging its already decaying state, from the late 1800s called "The Negro Sentinel", that ran a story about Booker T. Washington's court case concerning a white man who accused him of being a "peeping tom", spying on he and his wife, but it ended up that Booker won the case, not just on his notoriety, but also because it wasn't even the man's wife but his mistress, so the case was thrown out because of his adultery--oh, and Booker was actually looking for an associate but opened the wrong door--go fig. What was the sad but very explosive point towards one of the strongest cases towards the significance of HBCUs was when I left there, feeling enlightened and empowered, time-traveling to the past amongst the ancestors...and then I walk outside onto campus, back to the future and get inundated with blaring rap with cacophonic lines of "n*ggas, b*tches, etc., or seeing the young sistas wearing next to nothing, as is common during the first warm week of the Spring semester, and I felt very detached and sad all at once. 

"Homecoming" means something different to me, because for many, they never made it home yet. Many come to Homecoming because they are there to celebrate and rekindle their party years and meet up with some of the friends/associates they made along the way. Homecoming to me means revisiting the place where you came from. That probably wasn't deep to you so let me delineate further...I have yet to step on African soil, but the knowledge and history bestowed upon me while at CAU from those who took it upon themselves to deprogram me from the drastically altered Western academic perspective that I had been taught prior to attending an HBCU, brought me back home, mentally. I was given a mental bridge to my ancestral home via the knowledge that was esoteric to me for years in this Western world. Many will "come home" to their respective school; some to even flaunt how they've "arrived". How beautiful would it be that the majority would come home...the place where they first understood where their true home was and why it is still home...and to finally have arrived, in the light of self-knowledge. For those who return home, continuing in the light of truth, welcome back. 


HOMECOMING EVENTS:

 There are so many throughout the city that I couldn't even begin to list them all, so here are some of the main ones you'll need to check out for, at least, most of the official ones... 

http://www.caureunion.com/party.html (had to plug CAU more than once, ya mean?)

http://www.parrrtay.com/ (if just for the video, check this one out...RM Lathan is a fool )

http://teamfcc.com/schooldaze/roys-04-wm-dsl.html (I suppose not to be outdone, here's another with video accompanying the e-flyer from a few cats I went to school with).

Speaking of school fam, I'd be remiss if I didn't send some love out to Ytasha Womack (CAU fam), the producer and writer of her independent film "Love Shorts Vol. I" that made its Atlanta debut at this past Urban Film Review at the Woodruff Library (10.25.04). That was one of the best indie films I have seen in a long time and a fairly balanced view of the trials, tribulation, and hilarious aspects of love relationships between African-American men and women from a female point of view, though not narrated as such. This work was filmed on location in Chicago. If you want to know if this film will be screening in your city, e-mail Art Ink Entertainment at: flylife@sbcglobal.net. I give it !  

I also have to say that Fertile Ground's concert at the Afrikan Djeli Cultural Center, last Friday, was the best concert I have attended in quite some time! It was beautiful to see all of my nartural folks (with a number of perms as well--LOL), in a multicultural array of the African Diaspora. It was also a pleasure to hit the dance floor to some hype music that didn't contain any profanity, and where even children could be and a few were there--me and this one brother were dancing to the music with this young boy, probably 2 or 3, dancing within a sort of circle we made for him...felt like a rights of passage kind of thing, but it was beautiful. The only female I danced with that night was a beautiful, bright-eyed 5 year-old with cute braids--felt like a proud father dancing with his daughter. The majority of the crowd was adult age, but the overall atmosphere was a family environment and it was one of the most positive experiences that I've felt in a long time at an event! If you know about Giwayen Mata, then you know how they got down! It is almost too beautiful to aptly describe the whole vibe but it was strange but wonderful to leave an event at 2 o'clock in the morning and not smell like smoke or see anyone leaving inebriated.

Keep http://www.djeliculturalarts.com/ in your favorites if you want experience quality cultural events and attend nutrition, dance, martial arts, and spiritual classes.  

For additional, non-Homecoming related events, please link to: www.atlantahapps.com/upcoming_events.htm

In closing...

I gotta give props to the Boston Red Sox...absolutely amazing, if I do say so myself and I'm a NY Yankees fan, naturally, but I got a thing for the underdogs and NY, unfortunately, blew their chance--thus they didn't deserve it this year (but there's always next year). I wonder, though...just as some have stereotypically re-named the NBA as the Negro Basketball Association, I wonder if they'll do the same to baseball's MLB as Majority Latino Baseball? Hey, you know someone's gonna say it at some point if they haven't already. 

Anyway, I don't celebrate Halloween, and those of you who profess to be Christians and/or religious peeps of some particular faith (aside from the Church of Satan, who'd be probably be exempt) who parade your children around from door-to-door in costumes (I don't even care if they're portraying Bible characters or historical figures), let's be real...whatchu thinkin...who you foolin'?!

If ya need a history lesson, go here: http://www.rumela.com/events/events_october_halloween.htm

 Oh, and for the young lady in New Jersey who looked me up...you are too much! Thanks for the photo.

peace2ya!

ahmed@atlantahapps.com

The views in this article are not necessarily the expressed views of ATLANTAHAPPS.COM or it's affiliates.

 


SESSIONS SATURDAYS at Tarrazu Coffeebar


Join us every Saturday
Time: 9 p.m. - 12 a.m. Eastern Time (US and Canada) 


 SUDARABAJAN Productions present...


"SESSIONS SATURDAYS"
(as a part of Tarrazu's Liquid Jazz Series)

Featuring a three-piece (keys/drums/bass) neo-jazz band, 

THE FORMULA



Enjoy a sensual atmosphere of candlelight's, chill conversations, cool sounds, and good food as you leave the stress of the work week behind you. As an extra treat, each week will feature a different up-and-coming vocalist to sit in with the band and grace the mike, for your listening pleasure. The dinner and dessert menu is definitely for the discriminating palate...and you won't need any reservations.


Time:
9pm-12am (NO COVER!)

Address:
265 Ponce De Leon Avenue (around the corner
from Old Spaghetti Factory)
Suite D
Atlanta, GA 30308
404.815.2077

Dress:
Comfortably Fly!

Ahmed Sirour writes a weekly journal for ATLANTAHAPPS.COM

Ahmed Sirour is a Georgia Regional Representative for Hidden Beach Recordings

-- Archive

Gotta Make Moves  The Absolut Show  You Want More

A Weekend to Remember

     Off Notes
Changing Seasons Just Getting Started  Non-Stop Action     Ideas to Flirt With   Pursuing Purpose 
Will Play For Food    Lasting Power     Rebound   For The Love Of Music PURSUING PURPOSE (Pt. II)
ABSOLUT-LY OVER!! A Weekend to Remember The Absolut Show Round 3 Absolut Show - Round 2  The Lina Interview
Chicago on my mind Ja Rule talks about beef with 50 Cent      Die Empty         Giving Back     Tis the Season

Life's Purpose

     And We are off   A Dream Deferred

 

A special interview with Rachelle Ferrell

 

    Super Weekend

Tit for Tacky

 The Grammy Rocks the Love's Below

        Click This

 It ain't over

survivor

Stuff on my mind

   Represent your hood

April Foolishness

 

MY STRANGE WORLD...Part XXVII

Just keep Moving 

The Ying and the Yang     Industry Rule 4080

 Back on Track

 

MILESTONES

Memorial Day Hangover     

THE [right] FORMULA    CONFESSIONS/Pt. ??  

Get Connected

 

 Playing Catch Up/Finding Inner Strength

   And Yet Another

MOVIN' ON...AND UP

 CAN'T STOP THE FLOW

THE GREATER PURPOSE

 

Post Labor Day Thoughts...

 

    Weather Report

 

Tastefully Done

A Word to the unwise

    Changing Seasons

Natural High

 Hat's the Moral
     

 

Ahmed Sirour -A Product of a Sudanese-Arab (Muslim) father and a Bajan-Caribbean (Christian) mother. Ahmed was a "diamond in the rough" hewn from Brooklyn, now undergoing "polishing and re-cutting" in Atlanta. This serves as a premise to his diverse nature that comes from a diverse background. His poetic style is influenced by his love of music...specifically, jazz improvisation. He sometimes uses a rhyme form he calls "Broken Word"; basically, the rhyme scheme alternates between words and phrases but with a definite flow just like a jazz jam session where the art of freestyle takes place. Although it would seem that hip-hop, another of his influences, would seem to be a more apt description of his style, it is the marriage of youthful innovation paired with classic refinement. He is also moved by the Harlem Renaissance, which he feels is resurfacing, in spirit, throughout many major metropolitan cities, especially Atlanta. More importantly, he is moved by his belief in spirituality, believing that he is merely a vessel of God to bring forth the talent that he feels he has been blessed with.

Ahmed's goal, this year, to finally publish his first collection of work entitled, "This Would Be A Love Song...If Only I Could Sing"; a collection of poetry, essays, and short stories based on his life's experiences in the area of love and life. Ahmed is also a musician (keyboardist) and plays for and with many talented artists in Atlanta (and those who travel through the city from abroad). He currently represents for Hidden Beach Recordings (www.hiddenbeach.com), so he keeps one foot in the business and one foot (and two hands) in the art, itself. It is his hope and prayer that beyond enjoying his work, that people are actually moved, emotionally/intellectually/spiritually, by the words they read, and to know that this is merely a power that is coming through him and not from him.                                                                                                                          


                             SOULFUL HAPPS - A SPOTLIGHT ON URBAN MUSIC & CULTURE

Imagine for a moment if Marvin were still alive and able to record with the Roots... Or what about Pete Rock breaking-off a track for Minnie Ripperton or Donnie Hathaway. What kind of energy would these collaborations create??? The answer is found in a new Soul Music Series entitled  SOULFUL HAPPS, and it's unlike anything you've ever heard. This section features artists who produce the sounds  of 70's Soul, Acid Jazz, Hip Hop, and Rare Grooves appreciated by music lovers around the Atlanta area. But it's more than a sound... It's a feeling... bringing the past and the future together in a rather unique way.  Click here for details

 

WHAT THEY ARE SAYIN...

 

Mr.Sirour,

I live in LA and was recently in your wonderful city and love reading you're column, Very nice. Miles...

Mr.Sirour,

I would like to begin by saying I enjoy your weekly "HAPPS" commentary. I look forward to it every Monday evening when I have down time at work. I appreciate you keeping us 'Atliens' abreast of the goings of Atlanta and upcoming music artists. Please keep doing what you are doing!

 

Mr.Sirour,

Now, I would like to comment briefly on your commentary for this week. Kudos to you for being honest and candid! How refreshing to hear such positive and thought provoking thoughts. I agree with you in so many ways. Just as a smile can be contagious, so can positivity.

P.S-- I saw the plug on your site for the Tarrazu Coffee Bar. It sounds like a great place. I will be trying it out this week.

Thank You,

Brettina Burney

 

I feel you 100% when you stated you feel a shift in the wind of this industry. I have been told by enough shallow producers to change my singing style to sound like this one or that.  I was fed up of hearing this over and over so I took out my keyboards and produced myself. I am looking for people with a true vision of taking real music into the future to either assist me in promotions and possibly management.  If you get a minute check me out  at www.zuudiakusentertainment.com . Keep doing what you do, I will too.
 
Peace
Jas Tunica El

KATHLEEN BERTRAND

Visit the Website http://www.kathleenbertrand.com

Subscriber Kathleen Bertrand, her riveting performances combine contemporary R&B grooves with jazz riffs that keep audiences wanting for more...

No Regrets sets an elegant new standard for contemporary soul, and Kathleen Bertrand brings an inspiring new voice to the world of music. Look for future features on this dynamic singer in future ATLANTAHAPPS listings.

 

Ahmed -- Recently I read your column for "ATLANTAHAPPS.COM" As I was reading, I kept trying to listen to this very haunting melody that was playing in the background...and then finally I had to stop reading and just listen.  You generously praise so many artists in your column, but  your gifts are special too.  I look forward to hearing more from you.  "Without You" is just beautiful - I could listen to it all day.
 
I also am a singer/songwriter here in Atlanta. Last year, I released my "No Regrets" CD. Your words about a change in the music industry are so true and great encouragement.  Thank you and keep spreading the truth.  God bless you!

   

Kathleen Bertrand

 

 


 

A Collection of Poetry, Essays, and Short Stories from the life of Ahmed Sirour. A new movement in poetry, descriptive essay writing, and innovative story-telling.

Ahmed writes the way a jazz musician plays during an improvisational jam session paired with the way a lyricist freestyles in hip-hop form. It is a marriage of the past and present that creates a fusion to set the tempo for the future. His writing surpasses his racial makeup and simply becomes a unique American story by a unique American writer.

 

www.authorsden.com/ahmedasirour


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