By Entertainment Editor Ahmed Sirour
Music performed by: Ahmed and the Formula live at Tarrazu Coffee Bar
W
COMING HOME (10.28.04)
A few days ago I was walking through my old
stomping grounds on the campus of Clark
Atlanta University. I swear, every corner
I turned onto, I remembered a plethora of things
that happened during my time in the
Atlanta University Center. A few things
have changed whereas this gigantic parking deck
has been erected where once there was just a plain
parking lot, between Morehouse
and Spelman's campus. Then
there's the new Carl & Mary Ware Academic
Center where there was once just a few
trailers, which I think were for the scholarship
offices. Of course, they would build a
Publix, a Blockbuster, and whatever else off of
MLK Dr. after I leave when most of us had
to trek to the old Cub Foods that was at the West
End Mall/Hall, and then later having to make the
journey to Kroger's on Cascade. Stegall's,
that day, seemed to be out of food (or out of
pigeons to make those "chicken wings" they
served), but it was good to see Pop's still alive
and kickin' and chillin' in his favorite chair
watching the students go by on their way to and
from class or from Woodruff Library
(infamously dubbed "Club
Woody"...although I got some good sleep there).
The relevancy of the Historically Black
Colleges and Universities has never
changed or deteriorated.
The
power and history behind some of the greatest
people of color to walk the face of the earth in
modern and post-modern times is held within that
space of land called the AUC. While an undergrad,
I took it upon myself to explore the layout and
become familiar not only with my campus, but to
get acquainted with Morris Brown's, and Spelman's,
and More house's, and ITC's so that I could get a
feel for my academic neighbors and maybe make a
new friend here or there. I went up to the
Archives & Special Collections
department, 3rd floor, in Woodruff (the "vacuum
room" to me since no one went there and it was
spookily quiet). Before they began controlling the
amount of direct access one could have with the
material in there, I was actually able to hold in
my bare hands, the original works and documents of
some of the most renowned African-American
personages of generations before ours...even
before my grandfather. From the Countee
Cullen collection, I held an original
Langston Hughes poem in my hand entitled,
"A Dream Variation"...I mean, handwritten
in pencil, by the author himself, dated in April
of 1926--I was almost scared that I'd breathe on
it wrong or accidentally do something to it but it
was powerful to read something I had only seen in
a textbook and know that this was the actual
source. Or when I held in my hand the actual
typewritten letter that Alex Haley
wrote to his publisher at Reader's Digest
to request the permission to do an
autobiography on a prominent Black leader during
that time named Malcolm X.
I
read the first draft of a 20+ page, typed document
by W.E.B. DuBois that would go to
the United Nations to make a human rights
case concerning the crimes against and many
lynchings of sharecroppers and other
African-Americans suffering under the injustices
of racial oppression. I even read a newspaper, as
best I could without damaging its already decaying
state, from the late 1800s called "The Negro
Sentinel", that ran a story about
Booker T. Washington's court case
concerning a white man who accused him of being a
"peeping tom", spying on he and his wife, but it
ended up that Booker won the case, not just on his
notoriety, but also because it wasn't even the
man's wife but his mistress, so the case was
thrown out because of his adultery--oh, and Booker
was actually looking for an associate but opened
the wrong door--go fig. What was the sad but very
explosive point towards one of the strongest cases
towards the significance of HBCUs was when I left
there, feeling enlightened and empowered,
time-traveling to the past amongst the
ancestors...and then I walk outside onto campus,
back to the future and get inundated with blaring
rap with cacophonic lines of "n*ggas, b*tches,
etc., or seeing the young sistas wearing next to
nothing, as is common during the first warm week
of the Spring semester, and I felt very detached
and sad all at once.
"Homecoming" means something different to me,
because for many, they never made it home yet.
Many come to Homecoming because they are there to
celebrate and rekindle their party years and meet
up with some of the friends/associates they made
along the way. Homecoming to me means revisiting
the place where you came from. That probably
wasn't deep to you so let me delineate further...I
have yet to step on African soil, but the
knowledge and history bestowed upon me while at
CAU from those who took it upon themselves to
deprogram me from the drastically altered Western
academic perspective that I had been taught prior
to attending an HBCU, brought me back home,
mentally. I was given a mental bridge to my
ancestral home via the knowledge that was esoteric
to me for years in this Western world. Many will
"come home" to their respective school; some to
even flaunt how they've "arrived". How beautiful
would it be that the majority would come
home...the place where they first understood where
their true home was and why it is still home...and
to finally have arrived, in the light of
self-knowledge. For those who return home,
continuing in the light of truth, welcome back.
There
are so many throughout the city that I couldn't
even begin to list them all, so here are some of
the main ones you'll need to check out for, at
least, most of the official ones...
http://www.caureunion.com/party.html (had
to plug CAU more than once, ya mean?)
http://www.parrrtay.com/ (if
just for the video, check this one out...RM Lathan
is a fool
)
http://teamfcc.com/schooldaze/roys-04-wm-dsl.html (I
suppose not to be outdone, here's another with
video accompanying the e-flyer from a few cats I
went to school with).
Speaking of school fam, I'd be remiss if I didn't
send some love out to Ytasha Womack
(CAU fam), the producer and writer of her
independent film "Love Shorts Vol. I"
that made its Atlanta debut at this past Urban
Film Review at the Woodruff Library (10.25.04).
That was one of the best indie films I have seen
in a long time and a fairly balanced view of the
trials, tribulation, and hilarious aspects of love
relationships between African-American men and
women from a female point of view, though not
narrated as such. This work was filmed on location
in Chicago. If you want to know if this film will
be screening in your city, e-mail Art Ink
Entertainment at:
flylife@sbcglobal.net.
I give it
 !
I also have to say that
Fertile Ground's concert at the
Afrikan Djeli Cultural Center, last
Friday, was the best concert I have attended in
quite some time! It was beautiful to see all of my
nartural folks (with a number of perms as
well--LOL), in a multicultural array of the
African Diaspora. It was also a pleasure to hit
the dance floor to some hype music that didn't
contain any profanity, and where even children
could be and a few were there--me and this one
brother were dancing to the music with this young
boy, probably 2 or 3, dancing within a sort of
circle we made for him...felt like a rights of
passage kind of thing, but it was beautiful. The
only female I danced with that night was a
beautiful, bright-eyed 5 year-old with cute
braids--felt like a proud father dancing with his
daughter. The majority of the crowd was adult age,
but the overall atmosphere was a family
environment and it was one of the most positive
experiences that I've felt in a long time at an
event! If you know about Giwayen Mata, then you
know how they got down! It is almost too beautiful
to aptly describe the whole vibe but it was
strange but wonderful to leave an event at 2
o'clock in the morning and not smell like smoke or
see anyone leaving inebriated.
Keep
http://www.djeliculturalarts.com/ in
your favorites if you want experience quality
cultural events and attend nutrition, dance,
martial arts, and spiritual classes.
I gotta give props to the
Boston Red Sox...absolutely amazing, if I
do say so myself and I'm a NY Yankees
fan, naturally, but I got a thing for the
underdogs and NY, unfortunately, blew their
chance--thus they didn't deserve it this year (but
there's always next year). I wonder, though...just
as some have stereotypically re-named the
NBA as the Negro Basketball
Association, I wonder if they'll do
the same to baseball's MLB as Majority
Latino Baseball? Hey, you know
someone's gonna say it at some point if they
haven't already.
Anyway, I don't celebrate
Halloween, and those of you who profess
to be Christians and/or religious peeps of some
particular faith (aside from the Church of Satan,
who'd be probably be exempt) who parade your
children around from door-to-door in costumes (I
don't even care if they're portraying Bible
characters or historical figures), let's be
real...whatchu thinkin...who you foolin'?!
If ya need a history lesson, go
here:
http://www.rumela.com/events/events_october_halloween.htm
Oh, and for the young lady in New
Jersey who looked me up...you are too much! Thanks
for the photo.
ahmed@atlantahapps.com
The views in this article are not necessarily the
expressed views of ATLANTAHAPPS.COM or it's affiliates.
SESSIONS SATURDAYS at Tarrazu Coffeebar
Join us every Saturday
Time: 9 p.m. - 12 a.m. Eastern Time (US and Canada)
SUDARABAJAN Productions present...
"SESSIONS SATURDAYS"
(as a part of Tarrazu's Liquid Jazz Series)
Featuring a three-piece (keys/drums/bass) neo-jazz
band,
THE FORMULA
Enjoy a sensual atmosphere of candlelight's, chill conversations, cool
sounds, and good food as you leave the stress of the work week behind
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vocalist to sit in with the band and grace the mike, for your listening pleasure.
The dinner and dessert menu is definitely for the discriminating
palate...and you won't need any reservations.
Time:
9pm-12am (NO COVER!)
Address:
265 Ponce De Leon Avenue (around the corner
from Old Spaghetti Factory)
Suite D
Atlanta, GA 30308
404.815.2077
Dress:
Comfortably Fly!
Ahmed Sirour writes a weekly journal for ATLANTAHAPPS.COM
Ahmed Sirour is a Georgia Regional Representative for Hidden Beach
Recordings
-- Archive
Ahmed Sirour -A
Product
of a Sudanese-Arab (Muslim) father and a Bajan-Caribbean (Christian)
mother. Ahmed was a "diamond in the rough" hewn from Brooklyn,
now undergoing "polishing and re-cutting" in Atlanta. This serves
as a premise to his diverse nature that comes from a diverse background.
His poetic style is influenced by his love of music...specifically, jazz
improvisation. He sometimes uses a rhyme form he calls "Broken Word";
basically, the rhyme scheme alternates between words and phrases but
with a definite flow just like a jazz jam session where the art of
freestyle takes place. Although it would seem that hip-hop, another of
his influences, would seem to be a more apt description of his style, it
is the marriage of youthful innovation paired with classic refinement.
He is also moved by the Harlem Renaissance, which he feels is
resurfacing, in spirit, throughout many major metropolitan cities,
especially Atlanta. More importantly, he is moved by his belief in
spirituality, believing that he is merely a vessel of God to bring forth
the talent that he feels he has been blessed with.
Ahmed's goal, this year,
to finally publish his first collection of work entitled, "This Would
Be A Love Song...If Only I Could Sing"; a collection of poetry,
essays, and short stories based on his life's experiences in the area of
love and life. Ahmed is also a musician (keyboardist) and plays for and
with many talented artists in Atlanta (and those who travel through the
city from abroad). He currently represents for Hidden Beach Recordings (www.hiddenbeach.com),
so he keeps one foot in the business and one foot (and two hands) in the
art, itself. It is his hope and prayer that beyond enjoying his work,
that people are actually moved, emotionally/intellectually/spiritually,
by the words they read, and to know that this is merely a power that is
coming through him and not from him.
SOULFUL HAPPS - A SPOTLIGHT ON URBAN MUSIC & CULTURE
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WHAT THEY ARE SAYIN...
Mr.Sirour,
I live in LA and was
recently in your wonderful city and love reading you're column, Very
nice. Miles...
Mr.Sirour,
I would like to begin by saying I enjoy your weekly "HAPPS"
commentary. I look forward to it every Monday evening when I have down
time at work. I appreciate you keeping us 'Atliens' abreast of the
goings of Atlanta and upcoming music artists. Please keep doing what you
are doing!
Mr.Sirour,
Now, I would like to comment briefly on your commentary for this
week. Kudos to you for being honest and candid! How refreshing to hear
such positive and thought provoking thoughts. I agree with you in so
many ways. Just as a smile can be contagious, so can positivity.
P.S-- I saw the plug on your site for the Tarrazu
Coffee Bar. It sounds like a great place. I will be trying it out this
week.
Thank You,
Brettina Burney
I feel you
100% when you stated you feel a shift in the wind of this industry. I
have been told by enough shallow producers to change my singing style
to sound like this one or that. I was fed up of hearing this
over and over so I took out my keyboards and produced myself. I am
looking for people with a true vision of taking real music into the
future to either assist me in promotions and possibly management. If
you get a minute check me out at
www.zuudiakusentertainment.com . Keep doing what you do, I will
too.
Peace
Jas
Tunica El
KATHLEEN BERTRAND

Visit the Website
http://www.kathleenbertrand.com
Subscriber
Kathleen Bertrand, her riveting performances combine contemporary
R&B grooves with jazz riffs that keep audiences wanting for more...
No Regrets sets an elegant new standard for contemporary soul,
and Kathleen Bertrand brings an inspiring new voice to the world of
music. Look for future features on this dynamic singer in future
ATLANTAHAPPS listings.
Ahmed -- Recently I read your column for "ATLANTAHAPPS.COM" As I was
reading, I kept trying to listen to this very haunting melody that was
playing in the background...and then finally I had to stop reading and
just listen. You generously praise so many artists in your
column, but your gifts are special too. I look forward to
hearing more from you. "Without You" is just beautiful -
I could listen to it all day.
I also am a singer/songwriter here in Atlanta. Last year, I released
my "No Regrets" CD. Your words about a change in the
music industry are so true and great encouragement. Thank you
and keep spreading the truth. God bless you!
A Collection of Poetry, Essays, and Short Stories from the life
of Ahmed Sirour. A new movement in poetry, descriptive
essay writing, and innovative story-telling.
Ahmed writes the way a jazz musician plays during an
improvisational jam session paired with the way a lyricist
freestyles in hip-hop form. It is a marriage of the past and
present that creates a fusion to set the tempo for the future.
His writing surpasses his racial makeup and simply becomes a
unique American story by a unique American writer.
www.authorsden.com/ahmedasirour
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