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By Entertainment Editor Ahmed Sirour Music performed by: Ahmed and the Formula live at Tarrazu Coffee Bar
WHAT'S REALLY GOIN' ON? (12.08.04) I know, I know, I know...where have I been, right? Life has it's unexpected twists and turns so I am not exempt from experiencing them as long as I live and breathe. From the last word I wrote to this point, how much crazy stuff has happened in entertainment? Do I even need to recall all of the ridiculous stuff that has happened in the world of sports from T.O.'s controversial commercial, the South Carolina/Clemson game fight, the now infamous player/fan brawl during the Pacers vs. Pistons game, Barry Bond's lookin' like a straight @$$ for admitting that he "might" have been duped after long-standing allegations a performance-enhancement drug use, Marion Jones also in the same type of heat that, if convicted, could lose all five medals she won in Sydney, Sprewell getting a game suspension for saying something not quite nice, of a sexual nature, to a female fan who was talking trash to him from the stands, and Serena catching heat for a fake e-mail about her preference of dating men outside her race. Of course, in the music world, there was Vibe's melee, which I already commented on but need I waste typing about The Source Awards increasing "ghetto-ness"? The Roc-A-Fella dynasty is coming to a close with Jay-Z and Dash going their seperate ways, and some peeps are trippin' on Fantasia's records sales which haven't matched any of the previous A.I. winners' levels, thus far. What's really goin' on?! On the upside,
the ATL will still be representing at the
Grammy's next year with Ush
at 8 nominations (tied with Alicia
Keys), although Kanye West knocks
them off with 2 better at a crazy 10 noms,
leading all artists of any genre...Chi-town's
doing it, but we'll see--remember India's 7
noms with 0 wins (that was fixed). The full
list is here at: http://www.grammy.com/awards/grammy/47noms.aspx.
Also, despite the butt-whoopin' Tampa
Bay put on the Falcons,
they still lead the NFC South
and are in the top 10 in the league (currently
second, behind the Eagles in
the NFC), so this is going to be an exciting
finish for Atlanta who are definitely playoff
bound at this rate...the Jets
and Giants are also in
contention and you know I only said that for
the sake of my Northern roots ...but the
Falcons have my strong support--nah, for real.
On the home front,
speaking of Atlanta, I've seen a number of
things and I have to encourage you all to come
through Apache on Thursdays because you are
missing out on some really good concerts. Donnie
kicked it off some weeks ago, and you MISSED
IT if you didn't come last week and see Days
Ahead--an excellent show!! This
Thursday features UK/ATL's Julie
Dexter with Michael Johnson...and
you are aware Julie just dropped a new album,
right? If you didn't know, what better way to
preview an album before purchase than actually
hearing the artist show you live. Oh, and you
gotta believe me 'cause no one is paying me to
give rave reviews--believe that!
Speaking of the UK, I was just recently e-mailed by a reader all the way out in London! He's a producer and band mate of a group called Soul:ID. He described their style as "Afropean", which is an obvious reference to their band's ethnic diversity. Go to www.soul-id.com and sample some of their music as well as see video snippets of their performances and behind-the-scene footage. I like it and I think you will, too. Atlanta has been the most receptive market and they aren't the only international group that has had a positive U.S. reception here (i.e. Julie Dexter, Floetry, and even Omar). They've been played on WRFG but I'm getting some copies from them to give to WCLK and maybe V-103. Atlanta, we need to appreciate the music scene that they we are privy to here because the world is definitely watching, and they definitely want to come through us as well as promote what we have to offer!
Okay...I have a
lot of catching up to do so please don't be
mad at me for referring you to www.atlantahapps.com/upcoming_events.htm
as well as www.wholeteam.com/atl_events.htm
for the time being. Let me, however add this
for your options for Sunday (12.12.04)
as a diverse alternative to your normal
flow--I'll be there, by the way--thanks Kara:
"Dating to
the 14th century, Japan’s Noh theatre
combines elements of dance, drama, music and
poetry into one highly stylized stage art,
while Kyogen, the classical comic theater,
emphasizes dialogue. Officially designated
“Masterpieces of the Oral and Intangible
Heritage of Humanity” by UNESCO, Noh and
Kyogen were first introduced to American
audiences at the end of the 19th century in a
pivotal performance attended by President
Ulysses Grant. Now, in the culminating
celebration of the 150th anniversary of the
historic U.S.-Japan Treaty, The Japan Society
presents a U.S. tour of that original 1874
program of Noh. This once-in-a-lifetime
production includes three performances: the
Han-noh revenge play Mochizuki, the rarely
performed Kyogen piece Tsurigitsune (Trapping
of the Fox), and the visually spectacular Noh
play Tsuchigumo (The Earth Spider). The Japan
Society has assembled 30 of the finest Noh/Kyogen
actors and musicians for this historic
tour—among them Rokuro Umewaka, the great
grandson of the Noh master who staged that
long-ago performance." http://www.rialtocenter.org/rialtoseries/world/details.html#noh In Closing... For those of you who've e-mailed me and I haven't responded as yet, please know that I got your messages and it's been that hectic that I haven't had the time to adequately respond, and I'm not into automated messages, so personal replies are always what you'll receive though it may take a second. I also have something new in the works as far as live music goes that may very well be ground-breaking, so please stay tuned because I'm about to change the game as best I can and take it one step further, but not without the help and talent of the music community and those of you who love good music. (to be continued...) peace2ya!
The views in this article are not necessarily the view of ATLANTAHAPPS.COM or it's affiliates.
SESSIONS SATURDAYS at Tarrazu Coffeebar
Featuring a three-piece (keys/drums/bass) neo-jazz band, THE FORMULA
Ahmed Sirour writes a weekly journal for ATLANTAHAPPS.COM Ahmed Sirour is a Georgia Regional Representative for Hidden Beach Recordings -- Archive
Ahmed's goal, this year, to finally publish his first collection of work entitled, "This Would Be A Love Song...If Only I Could Sing"; a collection of poetry, essays, and short stories based on his life's experiences in the area of love and life. Ahmed is also a musician (keyboardist) and plays for and with many talented artists in Atlanta (and those who travel through the city from abroad). He currently represents for Hidden Beach Recordings (www.hiddenbeach.com), so he keeps one foot in the business and one foot (and two hands) in the art, itself. It is his hope and prayer that beyond enjoying his work, that people are actually moved, emotionally/intellectually/spiritually, by the words they read, and to know that this is merely a power that is coming through him and not from him.
Imagine for a moment if Marvin were still alive and able to record with the Roots... Or what about Pete Rock breaking-off a track for Minnie Ripperton or Donnie Hathaway. What kind of energy would these collaborations create??? The answer is found in a new Soul Music Series entitled SOULFUL HAPPS, and it's unlike anything you've ever heard. This section features artists who produce the sounds of 70's Soul, Acid Jazz, Hip Hop, and Rare Grooves appreciated by music lovers around the Atlanta area. But it's more than a sound... It's a feeling... bringing the past and the future together in a rather unique way. Click here for details
WHAT THEY ARE SAYIN...
Mr.Sirour, I live in LA and was
recently in your wonderful city and love reading you're column, Very
nice. Miles... Mr.Sirour, I would like to begin by saying I enjoy your weekly "HAPPS" commentary. I look forward to it every Monday evening when I have down time at work. I appreciate you keeping us 'Atliens' abreast of the goings of Atlanta and upcoming music artists. Please keep doing what you are doing!
Mr.Sirour, Now, I would like to comment briefly on your commentary for this week. Kudos to you for being honest and candid! How refreshing to hear such positive and thought provoking thoughts. I agree with you in so many ways. Just as a smile can be contagious, so can positivity. P.S-- I saw the plug on your site for the Tarrazu Coffee Bar. It sounds like a great place. I will be trying it out this week. Thank You, Brettina Burney
I feel you
100% when you stated you feel a shift in the wind of this industry. I
have been told by enough shallow producers to change my singing style
to sound like this one or that. I was fed up of hearing this
over and over so I took out my keyboards and produced myself. I am
looking for people with a true vision of taking real music into the
future to either assist me in promotions and possibly management. If
you get a minute check me out at
www.zuudiakusentertainment.com . Keep doing what you do, I will
too.
Peace
Jas
Tunica El
KATHLEEN BERTRAND
Visit the Website http://www.kathleenbertrand.com Subscriber Kathleen Bertrand, her riveting performances combine contemporary R&B grooves with jazz riffs that keep audiences wanting for more... No Regrets sets an elegant new standard for contemporary soul, and Kathleen Bertrand brings an inspiring new voice to the world of music. Look for future features on this dynamic singer in future ATLANTAHAPPS listings.
Ahmed -- Recently I read your column for "ATLANTAHAPPS.COM" As I was
reading, I kept trying to listen to this very haunting melody that was
playing in the background...and then finally I had to stop reading and
just listen. You generously praise so many artists in your
column, but your gifts are special too. I look forward to
hearing more from you. "Without You" is just beautiful -
I could listen to it all day.
I also am a singer/songwriter here in Atlanta. Last year, I released
my "No Regrets" CD. Your words about a change in the
music industry are so true and great encouragement. Thank you
and keep spreading the truth. God bless you!
Kathleen Bertrand
Ahmed writes the way a jazz musician plays during an improvisational jam session paired with the way a lyricist freestyles in hip-hop form. It is a marriage of the past and present that creates a fusion to set the tempo for the future. His writing surpasses his racial makeup and simply becomes a unique American story by a unique American writer.
www.authorsden.com/ahmedasirour
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